‘Song Sung Blue’ review: Hugh Jackman, Kate Hudson create magic in messy crowdpleaser
‘Wicked: For Good’ review: Cynthia Erivo, Ariana Grande soar high in Jon M. Chu’s mature finale
‘Eternity’ review: Elizabeth Olsen, Miles Teller, Callum Turner shine in charming afterlife rom-com
‘Rental Family’ review: Brendan Fraser tugs at heartstrings in Hikari’s love letter to Japan
‘Train Dreams’ review: The most underrated film of the year that will bring you to tears
‘Bugonia’ review: Emma Stone and Jesse Plemons deliver in frustrating alien conspiracy film
‘Hedda’ review: Tessa Thompson, Nina Hoss have a diva-off in Nia DaCosta’s sultry adaptation
‘Roofman’ review: Channing Tatum, Kirsten Dunst are perfect in this unbelievable true story
‘Rebuilding’ review: Josh O’Connor delivers his most tender work in heartwarming post-wildfire film
‘If I Had Legs, I’d Kick You’ review: Motherhood is hell with a stellar Rose Byrne
‘Nosferatu’ review: Robert Eggers, new master of the macabre, brings another twisted nightmare to life
‘Anora’ review: Mikey Madison dazzles in ‘Cinderella’ meets ‘Uncut Gems’ heartbreaking comedy
‘Queer’ review: Daniel Craig, Drew Starkey take sex, drugs and rock ‘n’ roll to new psychedelic heights
‘The Room Next Door’ review: Almodóvar teams up Moore, Swinton in most muted film yet
‘The Brutalist’ review: Brady Corbet delivers epic-scale immigrant tale with Adrien Brody, Guy Pearce
‘Babygirl’ review: Nicole Kidman, Harris Dickinson get steamy in irresistible fantasy about control
‘Maria’ review: Angelina Jolie transforms into opera diva Maria Callas to close Pablo Larraín’s trilogy series
‘Joker: Folie a Deux’ review: Sequel maturely explores anti-hero’s identity, though becomes overindulgent in musical numbers
‘Poor Things’ review: Emma Stone brings a feminist Frankengirl to life
‘Saltburn’ review: Emerald Fennell’s second feature brings even more twists, wickedness to the screen
‘The Killer’ review: A cold, calculated thriller with a side of humor
‘Priscilla’ review: Sofia Coppola reveals the lonely, untold story of Priscilla’s time with Elvis
‘The Marsh King’s Daughter’ (Next Best Picture)
‘Four Daughters’ (Next Best Picture)
‘Joan Baez: I Am a Noise’ (Next Best Picture)
‘May December’ (Next Best Picture)
‘Club Zero’ (Next Best Picture)
‘How To Have Sex’ (Next Best Picture)
‘Monster’ (Next Best Picture)
‘The Sweet East’ (Next Best Picture)
‘Firebrand’ (Next Best Picture)
Ema Sasic 